Prompt
Description
APPEARANCE: STRICTLY PRESERVE FROM ATTACHED PHOTO. DO NOT CHANGE FACIAL FEATURES, HAIR, BEARD, PHYSIQUE, TATTOOS. NO DISTORTIONS, NO ADDITIONS. FULLY FOLLOW THE REFERENCE[span_0](start_span)[span_0](end_span). TEXTURE AND REALISM: VISIBLE PORES, LIGHT SWEAT, INDIVIDUAL HAIRS, REALISTIC SKIN TEXTURE[span_1](start_span)[span_1](end_span). INTIMATE SMARTPHONE SHOT TAKEN INSIDE A OVER-THE-TOP MASTER BATHROOM IN NORTHERN MEXICO — PRIVATE MAIN BATHROOM IN A NARCO-MANSION IN CULIACÁN, 2 AM[span_2](start_span)[span_2](end_span). EVERY SURFACE HERE IS GOLD OR MARBLE: GILDED DOLPHIN-SHAPED FAUCETS, GOLD TOILET SEAT, GOLD TOWEL HOLDER, FLOOR AND WALLS MADE OF WHITE MARBLE WITH GOLD VEINS, HUGE WALL MIRROR IN A FULL-WALL GOLD FRAME, GILDED BAROQUE CHANDELIER HANGING TOO LOW[span_3](start_span)[span_3](end_span). A YOUNG MAN STANDS IN FRONT OF THE MIRROR, SHIRTLESS, HIS TORSO GLISTENING WITH SWEAT[span_4](start_span)[span_4](end_span). HE IS FROZEN IN MOTION — PULLING A WHITE SILK SHIRT OVER HIS HEAD, ONE ARM ALREADY IN THE SLEEVE, HEAD SLIGHTLY TILTED AS THE SILK SLIDES DOWN HIS BACK[span_5](start_span)[span_5](end_span). FACIAL EXPRESSION IN THE MIRROR IS DETACHED, ALMOST BORED: THE LOOK OF A MAN WHO HAS ALREADY DONE THIS A THOUSAND TIMES TONIGHT[span_6](start_span)[span_6](end_span). ON THE MARBLE COUNTERTOP NEXT TO THE SINK: GILDED DESERT EAGLE WITH PEARL GRIPS, ALMOST EMPTY GLASS OF VEUVE CLICQUOT, SMALL MIRROR WITH WHITE POWDER AND A ROLLED-UP HUNDRED-DOLLAR BILL[span_7](start_span)[span_7](end_span). HEAVY GOLD ROLEX PRESIDENT THAT HE IS ABOUT TO PUT ON, BLACK TECHNICAL STETSON HAT ON THE CORNER, A HK MP5 WITH A SINGLE-POINT SLING AND A FAN OF SPREAD-OUT HUNDRED-DOLLAR BILLS MIXED WITH SPOTTED-PINE BANKNOTES[span_8](start_span)[span_8](end_span). IN THE MIRROR REFLECTION, DEEP IN THE BACKGROUND BEHIND HIM: UNMADE CANOPY BED WITH RED SATIN SHEETS, EMPTY VEUVE CLICQUOT BOTTLE ON THE NIGHTSTAND, SMALL MIRROR WITH WHITE POWDER AND ROLLED-UP HUNDRED-DOLLAR BILL[span_9](start_span)[span_9](end_span). THE DOOR BEHIND HIM IS AJAR, A KALASHNIKOV RIFLE IS VISIBLE ON A LEATHER STRAP[span_10](start_span)[span_10](end_span). THE SHOT IS TAKEN FROM INSIDE THE BATHROOM BY SOMEONE — PERHAPS A GIRL OR ONE OF THE PASSING SICARIOS — ON A CHEAP SMARTPHONE[span_11](start_span)[span_11](end_span). HARSH DIRECT FLASH STRIKES STRAIGHT INTO THE MIRROR, RICOCHETING BACK INTO THE CAMERA, CREATING A BLINDING HOT SPOT IN THE CENTER OF THE FRAME THAT BLEACHES OUT PART OF HIS TORSO[span_12](start_span)[span_12](end_span). THE FLASH SIMULTANEOUSLY REFLECTS OFF EVERY GOLD SURFACE, CREATING A CHAOTIC WEB OF REFLECTIONS AND FLARES SCATTERED ACROSS THE FRAME[span_13](start_span)[span_13](end_span). THE ENTIRE IMAGE IS BATHED IN THE HOT YELLOW LIGHT OF THE FLASH, MIXED WITH COOL BLUEISH-WHITE PHONE FLASH LIGHT, SHADOWS ON MARBLE TAKE ON A SICKLY OLIVE-GREEN TONE — EXTREME COLOR GRADING IN THE STYLE OF THE "NARCOS: MEXICO" SERIES, APPLIED OVER OBSCENE GOLDEN MAGNIFICENCE[span_14](start_span)[span_14](end_span). NOTICEABLE GRAIN IN SHADOWS, LIGHT CHROMATIC ABERRATION ALONG THE EDGES OF EVERY GOLD OBJECT[span_15](start_span)[span_15](end_span). NOTICEABLE CAMERA SHAKE — SLIGHT MOTION BLUR ON HIS MOVING HAND[span_16](start_span)[span_16](end_span). THE FRAME LOOKS AMATEURISH AND HASTY, TILTED BY ABOUT 12 DEGREES, THE EDGE OF THE BATHROOM DOORWAY INTRUDES FROM THE RIGHT, THE PHOTOGRAPHER'S OWN REFLECTION IS A GHOSTLY SPOT IN THE CORNER OF THE MIRROR[span_17](start_span)[span_17](end_span). THE IMAGE EMBODIES BRUTAL REALISM: JUST A SHAMEFUL MOMENT OF VANITY FOR A CARTEL PRINCE IN A BATHROOM, WORTH MORE THAN MOST HOUSES, PHOTOGRAPHED BY SOMEONE WHO PROBABLY WON'T SEE THE SUNRISE[span_18](start_span)[span_18](end_span).
The Prompt
APPEARANCE: STRICTLY PRESERVE FROM ATTACHED PHOTO. DO NOT CHANGE FACIAL FEATURES, HAIR, BEARD, PHYSIQUE, TATTOOS. NO DISTORTIONS, NO ADDITIONS. FULLY FOLLOW THE REFERENCE[span_0](start_span)[span_0](end_span). TEXTURE AND REALISM: VISIBLE PORES, LIGHT SWEAT, INDIVIDUAL HAIRS, REALISTIC SKIN TEXTURE[span_1](start_span)[span_1](end_span). INTIMATE SMARTPHONE SHOT TAKEN INSIDE A OVER-THE-TOP MASTER BATHROOM IN NORTHERN MEXICO — PRIVATE MAIN BATHROOM IN A NARCO-MANSION IN CULIACÁN, 2 AM[span_2](start_span)[span_2](end_span). EVERY SURFACE HERE IS GOLD OR MARBLE: GILDED DOLPHIN-SHAPED FAUCETS, GOLD TOILET SEAT, GOLD TOWEL HOLDER, FLOOR AND WALLS MADE OF WHITE MARBLE WITH GOLD VEINS, HUGE WALL MIRROR IN A FULL-WALL GOLD FRAME, GILDED BAROQUE CHANDELIER HANGING TOO LOW[span_3](start_span)[span_3](end_span). A YOUNG MAN STANDS IN FRONT OF THE MIRROR, SHIRTLESS, HIS TORSO GLISTENING WITH SWEAT[span_4](start_span)[span_4](end_span). HE IS FROZEN IN MOTION — PULLING A WHITE SILK SHIRT OVER HIS HEAD, ONE ARM ALREADY IN THE SLEEVE, HEAD SLIGHTLY TILTED AS THE SILK SLIDES DOWN HIS BACK[span_5](start_span)[span_5](end_span). FACIAL EXPRESSION IN THE MIRROR IS DETACHED, ALMOST BORED: THE LOOK OF A MAN WHO HAS ALREADY DONE THIS A THOUSAND TIMES TONIGHT[span_6](start_span)[span_6](end_span). ON THE MARBLE COUNTERTOP NEXT TO THE SINK: GILDED DESERT EAGLE WITH PEARL GRIPS, ALMOST EMPTY GLASS OF VEUVE CLICQUOT, SMALL MIRROR WITH WHITE POWDER AND A ROLLED-UP HUNDRED-DOLLAR BILL[span_7](start_span)[span_7](end_span). HEAVY GOLD ROLEX PRESIDENT THAT HE IS ABOUT TO PUT ON, BLACK TECHNICAL STETSON HAT ON THE CORNER, A HK MP5 WITH A SINGLE-POINT SLING AND A FAN OF SPREAD-OUT HUNDRED-DOLLAR BILLS MIXED WITH SPOTTED-PINE BANKNOTES[span_8](start_span)[span_8](end_span). IN THE MIRROR REFLECTION, DEEP IN THE BACKGROUND BEHIND HIM: UNMADE CANOPY BED WITH RED SATIN SHEETS, EMPTY VEUVE CLICQUOT BOTTLE ON THE NIGHTSTAND, SMALL MIRROR WITH WHITE POWDER AND ROLLED-UP HUNDRED-DOLLAR BILL[span_9](start_span)[span_9](end_span). THE DOOR BEHIND HIM IS AJAR, A KALASHNIKOV RIFLE IS VISIBLE ON A LEATHER STRAP[span_10](start_span)[span_10](end_span). THE SHOT IS TAKEN FROM INSIDE THE BATHROOM BY SOMEONE — PERHAPS A GIRL OR ONE OF THE PASSING SICARIOS — ON A CHEAP SMARTPHONE[span_11](start_span)[span_11](end_span). HARSH DIRECT FLASH STRIKES STRAIGHT INTO THE MIRROR, RICOCHETING BACK INTO THE CAMERA, CREATING A BLINDING HOT SPOT IN THE CENTER OF THE FRAME THAT BLEACHES OUT PART OF HIS TORSO[span_12](start_span)[span_12](end_span). THE FLASH SIMULTANEOUSLY REFLECTS OFF EVERY GOLD SURFACE, CREATING A CHAOTIC WEB OF REFLECTIONS AND FLARES SCATTERED ACROSS THE FRAME[span_13](start_span)[span_13](end_span). THE ENTIRE IMAGE IS BATHED IN THE HOT YELLOW LIGHT OF THE FLASH, MIXED WITH COOL BLUEISH-WHITE PHONE FLASH LIGHT, SHADOWS ON MARBLE TAKE ON A SICKLY OLIVE-GREEN TONE — EXTREME COLOR GRADING IN THE STYLE OF THE "NARCOS: MEXICO" SERIES, APPLIED OVER OBSCENE GOLDEN MAGNIFICENCE[span_14](start_span)[span_14](end_span). NOTICEABLE GRAIN IN SHADOWS, LIGHT CHROMATIC ABERRATION ALONG THE EDGES OF EVERY GOLD OBJECT[span_15](start_span)[span_15](end_span). NOTICEABLE CAMERA SHAKE — SLIGHT MOTION BLUR ON HIS MOVING HAND[span_16](start_span)[span_16](end_span). THE FRAME LOOKS AMATEURISH AND HASTY, TILTED BY ABOUT 12 DEGREES, THE EDGE OF THE BATHROOM DOORWAY INTRUDES FROM THE RIGHT, THE PHOTOGRAPHER'S OWN REFLECTION IS A GHOSTLY SPOT IN THE CORNER OF THE MIRROR[span_17](start_span)[span_17](end_span). THE IMAGE EMBODIES BRUTAL REALISM: JUST A SHAMEFUL MOMENT OF VANITY FOR A CARTEL PRINCE IN A BATHROOM, WORTH MORE THAN MOST HOUSES, PHOTOGRAPHED BY SOMEONE WHO PROBABLY WON'T SEE THE SUNRISE[span_18](start_span)[span_18](end_span).